In a world that often rushes past the intricacies of life and love, Ophelia Mikkelson and Ryder Jones invite us into their own secluded haven on New Zealand's North Island.

In this series, Ophelia and Ryder turn the lens on each other, as the talented creative duo crafted an intimate and playful self-shoot series that explores the deep connection that binds them sharing insights into their creative origins, artistic intentions, and the sacred life rituals that nourish their creativity.

You live in a fairly unique corner of the world, describe how special it is to us.

Our life is very entwined with the ocean. It is a place we draw close too. Living outside of the city brings a sense of calm and space that feels important to us. 

Lucy Folk as a brand is grounded in origins and craftsmanship, give us an insight into your creative origins as a couple.

We met at art school, Ryder was 19 and I was 21. Almost 12 years ago now. I think one of the many things that drew us together from the start was our distinct visual languages. We both knew what we liked aesthetically. We worked very differently— Ryder would master a skill by working in series, trying things out, experimenting prolifically with materials. I floated a little more —lead by chance encounters (men carrying flowers), drawn to subtle gesture (an impression of two hands holding) and materials that were impermanent. Ryder would go home (to the beach) each weekend to see his family and go beach-combing and return with things he would find— I would so look forward to seeing him each Monday to see what he had found, and more what he would do with them.